Contemplating the horrendous expense of three or four years at University, I was struck by the thought that I myself have been enjoying free tertiary education for the last few years. I have been taking advantage of the wonderful wealth of MOOC courses available online (for free) One can pursue almost any branch of learning just by getting onto the Internet. These days one doesn't even need access to a computer, a smart phone is all that is necessary, Isn't the old model of residential universities very much outdated. Perhaps it is a good thing that protests are closing them down. Perhaps not much would be lost if they all closed their doors and instead broadcast lectures and discussions to those who really wanted to learn. If this happened, tertiary education would be much cheaper and could be within the means of most students. In fact it could easily be totally funded by government. Many of the buildings presently used as student accommodation or lecture halls could be used for much needed sub-economic housing.
Thursday, September 22, 2016
Free Tertiary Education
There has been nothing on radio and TV lately but Fees must fall protests. I may be thought a sceptic but it does seem as though the protests are timed to fall at the end of the academic year and so come at a convenient time to disrupt exam schedules and this must be most welcome to those who have very little chance of passing.those exams.
Friday, August 5, 2016
This week
Too much happening this month! Luke off to America, ,Danielle back from UK.,Launch of McGregor anthology. McGregor Poetry festival. How to fit it all in? But then I always am quite busy. I used to think that when I was as old as I am now, I would be leading a dull and quiet life. How lucky to be living in the 21st Century! So many new and exciting discoveries. (I have just been reading about the discovery of two earth-sized planets in the Goldilocks zone of a cool (in temperature ) star only 40 light-years away.) So many new and exciting gadgets( although the technology is a bit beyond me) Of course the world is in a mess, with all sorts of disasters threatening it, but then hasn't it been threatened by disasters for most of my life? The difference is that now I am unlikely to live to see them come about. At McGregor Stephanie and are doing a presentation entitled It's only being so cheerful.. At our age we might as well be cheeerful. There are not many years left. We should enjoy them as long as we can.
One of the exercises in the poetry course I have just completed, was to write an imagist poem describing a certain object. I am not sure whether this poem fits the criteria and can be properly called imagist, but after making the changes suggested on the course, I am quite pleased with it. The changes were mostly to do with the form -- splitting it into three stanzas and changing the line breaks. I was very surprised at how much such small alterations improved the poem.
One of the exercises in the poetry course I have just completed, was to write an imagist poem describing a certain object. I am not sure whether this poem fits the criteria and can be properly called imagist, but after making the changes suggested on the course, I am quite pleased with it. The changes were mostly to do with the form -- splitting it into three stanzas and changing the line breaks. I was very surprised at how much such small alterations improved the poem.
Tuesday, August 2, 2016
Sharpened Visions
I have not visited my blog for more than a month. I have been so busy. with this Mooc, (Sharpened visions on Coursera). I can recommend it to any aspiring poet. Douglas Kearney, who conducts it, is a noted poet himself. Although I can't make head or tail out of poems of his that I have read, he is an excellent teacher of poetry. He does not dictate,or criticise, but rather provides inspiration, by means of prompts for poems and suggestions for writing them. The most useful of his suggestions are those for re-writing and improving your poems.. As with all Moocs, peers review your work and give feedback. In my case I found nearly all their comments were helpful and made for better poems.
Here are some of the poems I wrote on this course.
FROG
LIPOGRAM
WRECK
OF THE KAKAPO revised
Here are some of the poems I wrote on this course.
THE
LAUNDROMAT OF LONELINESS
This
is the place where single people come
from
bed-sitters and rented rooms.
They
sit on slatted wooden benches.
and
listen to the whirring noise
of
wash machines and tumble driers.
Avoiding
one another’s gaze
they
bury noses in worn paperbacks,
while
faded towels and pillowcases
whirl
round with unpaired socks and
threadbare
underclothes.
TOAD IN A HOLE
A shriek from Gairo, my domestic worker
A frog!
a frog! It’s in the shower room.
I run to see compressed there in a
corner
a little shiny, round medallion, yellow
with blotch of black and spots of scarlet.
It is a tiny baby leopard toad.
A species, rare, endangered by the
shrinkage
of habitat and threatened now by us.
We cannot leave it there, but do not
wish
to squash with careless hand its
softness
or let our fingers feel its slimy, toxic
skin
I take a floppy, large spaghetti mop
and try to sweep the creature out the
door
It doesn’t work; the mop is far too soft
I poke it with a canvas covered toe.
My foot is much too big to fit the niche
the animal is using as its shelter.
I take a kitchen towel and as it leaps
away
I fling the towel over its elongated
form,
grab it and wrap it tight, and then
I take it to the garden pond and let it
go
and Gairo stops her shivering and startst
to clean all trace of frog out of the house
Boss
off to loo
Frog
on loo floor
Boss
cross.
Oh!
Oh!
Frog
on loo floor
not
cool.
Frog
got to go.
How?
Mop
no good,
too soft
foot no good
too gross
Stop!
Cloth?
Throw cloth on frog
fold hold
boot frog to pond
Look Boss
Look Boss
No Frog
.
We
see the boiler and the rudder of the wreck
Between
the ribs sand covers all the deck.
The
rest of it lies buried far below.
She
ran aground a hundred years ago
There
was no loss of life, no dead.
The
crew just jumped onto the sand and fled
The
captain stayed for months alone on board
He
hid for shame. He would not say a word
The
captain knew that everyone would say
It
was his fault the ship lay where she lay
He
should have kept her safely as a son
Not
see her wrecked before her voyage was done
The
captain beat his breast; he tore his hair,
quite
overcome by sorrow and despair.
Always
as long as he drew breath
he
would regret this day until his death.
That
stormy day, the waves were big and wild
The
wind wailed loudly like a tortured child
The
surf pounded the shore, thundering aloud
The
gale shook masts and rattled every shroud
To
port a cliff was seen to rise up high
It’s
shape was clear against the sky
The
captain cried above the storm’s harsh sound
“Good
helmsman, turn the ship around.
I
see Cape Point behind it is False Bay,
and
a harbour where our ship can safely stay
(but
no one could have been as wrong as he)
Full-speed
ahead the ship rushed from the sea
She
dug herself into the sand so fair and square
That
a century later she’s still sitting there
of
Cape History just a tiny part
a
ship’s wreck, a captain’s broken heart
DREARY
DRAPES
(Note:
In the Old Age Complex where I live we are required to have only neutral
colours at all the windows.)
Twin
censors of sight,
two
lengths of calico,
three
metres up and three across
cover
my bedroom window.
They
cut out light and block the view
of
trees and sky.
At
the ceiling they deform
in
pebbly gathers,
dirt-road
corrugations from which flow
beige
mudslides,
Cascades
of silty ripples undulate sideways,
grow
into waves and
billow
at the floor
But
at the centre where they meet,
they
grudgingly allow
slivers
of sunlight
to
sidle through
and
make the dust-motes
dance.
Friday, June 3, 2016
Home Affairs
On Monday I visited the Wynberg Branch of Home Affairs. On Tuesday I started to write a long account of my visit but didn't finish it. I know I pressed SAVE, but now this post has disappeared. I expected to find it in Drafts(sic) but found no sign of it. I shall just have to write up this experience again.
Here we are:-
I knew I had to change my ID document from a book to a smart card. I seemed to remember something in the newspaper about having to do this in my birthday month. As my birthday month was rapidly drawing to a close. (It was the 30th of May already, only one more day to go) I decided to take the morning off from my usual chores and brave the officials at the nearest Home Affairs branch. As I was about to leave my flat I remembered that I had ordered lunch at Evergreen's Restaurant, the Bistro. Should I cancel?. Ever the optimist, I think I would surely be back by then. It was only ten in the morning after all.
I was dreading going to Home Affairs. the very name conjures up newspaper pictures of hundreds of refugees crowding into offices, picketing at gates and languishing for days in long queues outside in the road. I was pleasantly surprised. There were long queues. It did take all morning so that I had to
ring to cancel lunch and get for a take-away instead. But, to my astonishment I had quite a good time and really enjoyed the experience.
At Home affairs you find a cross-section of Cape Towns very varied population. The offices were full of people of all shapes and sizes from all walks of life. Sitting waiting to be called to one counter or another, I struck up conversations with a Rasta poet, a young Xhosa mother and a middle- aged PR assistant, all of them very friendly and very willing to help this bewildered old woman.
I was impressed by the efficiency with which the large numbers of applicants were processed. It is all done by numbers. As you enter the atrium, you are issued with a number depending on what piece of paper you are applying for (ID, birth certificate, passport etc.) and sent to a queue where you are given another number. You are then sent to one or other side of a large hall to sit on a bench and wait. At frequent intervals numbers are called out.. Number 173 to Photo booth 1, Number 156 to counter 11, number 142 to counter 3. etc.
In Photo booth 1 I was made to perch precariously on a swivel chair while an unflattering pic was taken and sent to be printed on my new card. After another wait, I was sent to counter 9 for fingerprinting. Everything had gone swimmingly up to this point, but now we hit a snag. I just don't have fingerprints. Long years of working my fingers, not exactly to the bone but very close to it, have worn them away. The charming young African gentleman on the other side of the counter was extremely patient.
"Just try once more, Gogo," he pleaded, holding my fingers firmly onto the glass of the scanner, After several attempts prints of my fingers were captured,but my thumbs were just too smooth. I sucked them vigorously over and over again and the young man took them over and over again and pressed them down on the scanner at every conceivable angle. No lover has ever held hands with me as long. At last he allowed me to go saying that I would be advised when to come and collect my
Smart Card. Now I know what to expect I am almost looking forward to this occasion. I just hope they won't try to fingerprint me again.
Here we are:-
I knew I had to change my ID document from a book to a smart card. I seemed to remember something in the newspaper about having to do this in my birthday month. As my birthday month was rapidly drawing to a close. (It was the 30th of May already, only one more day to go) I decided to take the morning off from my usual chores and brave the officials at the nearest Home Affairs branch. As I was about to leave my flat I remembered that I had ordered lunch at Evergreen's Restaurant, the Bistro. Should I cancel?. Ever the optimist, I think I would surely be back by then. It was only ten in the morning after all.
I was dreading going to Home Affairs. the very name conjures up newspaper pictures of hundreds of refugees crowding into offices, picketing at gates and languishing for days in long queues outside in the road. I was pleasantly surprised. There were long queues. It did take all morning so that I had to
ring to cancel lunch and get for a take-away instead. But, to my astonishment I had quite a good time and really enjoyed the experience.
At Home affairs you find a cross-section of Cape Towns very varied population. The offices were full of people of all shapes and sizes from all walks of life. Sitting waiting to be called to one counter or another, I struck up conversations with a Rasta poet, a young Xhosa mother and a middle- aged PR assistant, all of them very friendly and very willing to help this bewildered old woman.
I was impressed by the efficiency with which the large numbers of applicants were processed. It is all done by numbers. As you enter the atrium, you are issued with a number depending on what piece of paper you are applying for (ID, birth certificate, passport etc.) and sent to a queue where you are given another number. You are then sent to one or other side of a large hall to sit on a bench and wait. At frequent intervals numbers are called out.. Number 173 to Photo booth 1, Number 156 to counter 11, number 142 to counter 3. etc.
In Photo booth 1 I was made to perch precariously on a swivel chair while an unflattering pic was taken and sent to be printed on my new card. After another wait, I was sent to counter 9 for fingerprinting. Everything had gone swimmingly up to this point, but now we hit a snag. I just don't have fingerprints. Long years of working my fingers, not exactly to the bone but very close to it, have worn them away. The charming young African gentleman on the other side of the counter was extremely patient.
"Just try once more, Gogo," he pleaded, holding my fingers firmly onto the glass of the scanner, After several attempts prints of my fingers were captured,but my thumbs were just too smooth. I sucked them vigorously over and over again and the young man took them over and over again and pressed them down on the scanner at every conceivable angle. No lover has ever held hands with me as long. At last he allowed me to go saying that I would be advised when to come and collect my
Smart Card. Now I know what to expect I am almost looking forward to this occasion. I just hope they won't try to fingerprint me again.
Monday, May 16, 2016
Franschoek Festival 2016
I nearly didn't get to the festival. I would only have been able to make the Friday sessions in any case because of proir commitments, but when my car's clutch started to give in and my friend Jenny was not able to drive us there, I thought I would have to give the festival a miss this year. I was bitterly disappointed. Then I wondered whether my friend Sindiwe, who was taking a major part, and would definitely be there on Friday, would like to take over the tickets I had bought. When I rang her, she refused the offer, (she had been been given tickets for Friday) but she told me that her daughter, Thoko, was going separately and would like to give me a lift. It meant leaving quite early, but other wise was the perfect answer. So I had a great birthday after all.
I went to five discussions altogeter and all of them were worth attending.
Schools Poetry: Write Read, Hear
Finuala Dowling discussed how to bring poetry to life with Linda Kuomo, Isobel Dixon,and Wendy Woodward. Linda talked about the Badalisha Poetry Exchange a collection in which poets are filmed reading their work and which makes African Poetry easily available. Isobel spoke about the many opportunities for hearing and sharing poems in the UK and Wendy spoke about the teaching of Poetry, how to read it and how to write it. All of the poets talked about how the were introduced to poetry at an early age and how much this has meant to them.
Paying Tribute to Sindiwe Magona.
Elinor Sizulu introduced Sindiwe, told us something of her life and conducted the interview.. I was not very impressed with her as an interviewer. She was lucky in her subject. Sindiwe is an excellent speaker and seldom at a loss for words and she was able, with the minimum of prompting to excite and captivate her audience. There were only a few tributes from the floor, most of them very complimentary. There were a few awkward questions, but these were ably fielded by the speaker
She really is a pro!I noticed that all the books put out on display were sold very soon after the session ended. Most gratifying.
The language of Poetry
Karen Schimke spoke to Mbongeni Nomkonwana, a South African poet, Jumoke Verrissimo, a West African and Safia Elhillo, an Arabic poet who lives in America and writes in her own language as well as English. They talked about the problems with translation in getting across both the meaning and the feeling of a poem,but also the inspiration and richness that comes from multilinguism. I found that this was a very interesting discussion and I was disappointed to see how few festival- goers had turned up to hear it. I know poetry is not the most popular of subjects, but these were all people who were interesting in themselves. They all three had interesting histories and fascinating stories to tell.
Crime procedural
Jenny Crwys Williams interviewed Charlotte Otter, Liad Shuham and Mark Winkler.about their crime novels. I have read Mark Winkler and admire his work, but I had not heard of the other two. Charlotte Otter lives in Germany, but her novel is set in Natal and I think was published in this country, I considered buying her book but decided that the other two seemed more interesting. Liad Shuham, is apparently a best seller in Isreal( and probably in the UK too). He was most entertaining. I just loved him. I am reading his book now. It is very good in the Police procedural genre,( but not better than out local crime novels.). He said he was influenced by Scandinavian crime writers, but I llike his book better than any of those I have read, I shall look for his other books in the library.
Writers of Fewer Words
Karen Szczurek hosted this one.and Mark Winkler, Nick Mulgrew and Niq Mhlongo talked about the difficulties encountered in writing short stories. They all spoke well, Niq Mhlongu was particularly entertaining. I didn't like his writing as much as I liked Mark Winkler"s, (I am sure I have read stories by Nicjk Mulgrew, but can't bring them to mind.) but he was the star of this particular show. They all cane to the conclusion that short stories were more difficult to write than novels and poems were the most difficult of all. Obviously none of them is as lazy as I am. I have yet to fiinsh a novella, let alone a full novel, I aked Nick Mulgrew about publishing short stories. He says Prufrock does publish a few. I am going to sen them one or two of mine. Can't hurt.
With much effort and after a fight with my new phone, which has a definite mind of its own,,I was able to contact Thoko and meet her at a cafe on the Main Road. Here I ended my day at the festival being treated to white wine and red velvet cake, kindly financed by Thoko.
I went to five discussions altogeter and all of them were worth attending.
Schools Poetry: Write Read, Hear
Finuala Dowling discussed how to bring poetry to life with Linda Kuomo, Isobel Dixon,and Wendy Woodward. Linda talked about the Badalisha Poetry Exchange a collection in which poets are filmed reading their work and which makes African Poetry easily available. Isobel spoke about the many opportunities for hearing and sharing poems in the UK and Wendy spoke about the teaching of Poetry, how to read it and how to write it. All of the poets talked about how the were introduced to poetry at an early age and how much this has meant to them.
Paying Tribute to Sindiwe Magona.
Elinor Sizulu introduced Sindiwe, told us something of her life and conducted the interview.. I was not very impressed with her as an interviewer. She was lucky in her subject. Sindiwe is an excellent speaker and seldom at a loss for words and she was able, with the minimum of prompting to excite and captivate her audience. There were only a few tributes from the floor, most of them very complimentary. There were a few awkward questions, but these were ably fielded by the speaker
She really is a pro!I noticed that all the books put out on display were sold very soon after the session ended. Most gratifying.
The language of Poetry
Karen Schimke spoke to Mbongeni Nomkonwana, a South African poet, Jumoke Verrissimo, a West African and Safia Elhillo, an Arabic poet who lives in America and writes in her own language as well as English. They talked about the problems with translation in getting across both the meaning and the feeling of a poem,but also the inspiration and richness that comes from multilinguism. I found that this was a very interesting discussion and I was disappointed to see how few festival- goers had turned up to hear it. I know poetry is not the most popular of subjects, but these were all people who were interesting in themselves. They all three had interesting histories and fascinating stories to tell.
Crime procedural
Jenny Crwys Williams interviewed Charlotte Otter, Liad Shuham and Mark Winkler.about their crime novels. I have read Mark Winkler and admire his work, but I had not heard of the other two. Charlotte Otter lives in Germany, but her novel is set in Natal and I think was published in this country, I considered buying her book but decided that the other two seemed more interesting. Liad Shuham, is apparently a best seller in Isreal( and probably in the UK too). He was most entertaining. I just loved him. I am reading his book now. It is very good in the Police procedural genre,( but not better than out local crime novels.). He said he was influenced by Scandinavian crime writers, but I llike his book better than any of those I have read, I shall look for his other books in the library.
Writers of Fewer Words
Karen Szczurek hosted this one.and Mark Winkler, Nick Mulgrew and Niq Mhlongo talked about the difficulties encountered in writing short stories. They all spoke well, Niq Mhlongu was particularly entertaining. I didn't like his writing as much as I liked Mark Winkler"s, (I am sure I have read stories by Nicjk Mulgrew, but can't bring them to mind.) but he was the star of this particular show. They all cane to the conclusion that short stories were more difficult to write than novels and poems were the most difficult of all. Obviously none of them is as lazy as I am. I have yet to fiinsh a novella, let alone a full novel, I aked Nick Mulgrew about publishing short stories. He says Prufrock does publish a few. I am going to sen them one or two of mine. Can't hurt.
With much effort and after a fight with my new phone, which has a definite mind of its own,,I was able to contact Thoko and meet her at a cafe on the Main Road. Here I ended my day at the festival being treated to white wine and red velvet cake, kindly financed by Thoko.
Monday, May 2, 2016
Being Right-handed
I have been thinking about being right-handed and how limited I am compared to so many left-handed people, many of whom are close to being ambidextrous. My husband used to write with his left hand, but played Squash with his right. As a cricketer, he bowled left-handed, but batted right-handed. (as an aside, our family is a perfect example of Mendel's Laws of inherited characteristics, of 4 children, two are left-handed and two right-handed)
Left
hand/ right brain, is there a connection?
A
writer friend has broken a bone in her writing hand. What should she do? This
would not be much of a problem for me. I never write by hand, everything goes
straight onto the computer screen. My left hand can take over what my right
hand usually does. Of course the piece of writing would take longer, but wait a
minute. Would that be the only difference?
Thinking
about being right or left handed, I remember an essay by James Barry. He was
afflicted at one time with a bad case of what he called “Writer’s Cramp”.( I
think that it was actually a form of arthritis.) He was forced to learn to
write with the other hand. ( I am not sure whether it was his left hand, but it
probably was.) Something very strange happened. He found that what he wrote
with his left hand was very different to the kind of thing he wrote with his
right. A play or story written with one hand had a kinder, more gentle aspect
than a play or story written by the other hand.
I
have decided to put this to the test with my own writing. Up to now I have
typed all my stories or poems with both hands,
NEW
PHONE (left hand)
The
girl behind the counter was so kind,
There
was a long queue behind me, but
she
took the time to tell me all about
the
features of the
model
I had chosen.
Pity
she didn’t tell me how to use it.
So
Don’t
ring me. I can’t answer
Don’t
text; I can’t reply
I
am excluded from the Net,
I’m
techno-gagged and
I’ve
been
cyber-silenced.
TOUGH
SCREEN( right hand)
My
fingers are so clumsy, I can’t type
he
simplest message. I do try
but
why do o’s turn into p’s and why
does
the whole message vanish
before
I can press SEND.
Bring
me someone young, I cry
Someone
like the girl at our poet’s group
Who
can read from her Smart phone
so
many lines she has written with such ease.
I
wish that she were here, but I reside
In
an old-age complex. where technology left fogies
far
behind, a long, long time ago.
It’s
no good asking them.
and
all my grand-children have gone away.
The
staff are much too busy
for
such a trivial problem, and so
I
am left lamenting, all alone,
my
new and shiny, useless, touch-screen phone
(I
would say left hand does better than right.)
\
Wednesday, April 27, 2016
In Praise of the Men of Cape Town
Last Saturday I was at a poetry workshop where we share the poems we have written during the past month. Many of these poems had the theme of violence against women, This was not surprising when you consider the shocking cases that have been recently reported in the media. I was feeling most depressed thinking about this as I was taking my dogs for a walk. But then I looked about me and what I saw lifted my spirits and made me happier.
The suburb where I live contains a mixture of large old houses, dilapidated tenements, gated
complexes and cheaply-built modern flats and the inhabitants are similarly mixed. It was late afternoon and there were all sorts of people walking about. These were the happy sights I saw:
I saw a young man cheerfully helping his pregnant wife with her shopping, and an old man gently leading his disabled spouse over the road. I saw a new father proudly cradling his tiny month-old daughter. I saw a grandfather happily chatting to his daughter as he pushed a grandchild's pram. I saw a father smiling at his two daughters, who were jumping up and down with excitement because he was taking them on an outing to the beach. All around I saw these men, good men, strong men, real men.
You mothers and fathers of boys. Teach your sons to recognise real men like these, to celebrate them, admire them and aspire to be like them.
The suburb where I live contains a mixture of large old houses, dilapidated tenements, gated
complexes and cheaply-built modern flats and the inhabitants are similarly mixed. It was late afternoon and there were all sorts of people walking about. These were the happy sights I saw:
I saw a young man cheerfully helping his pregnant wife with her shopping, and an old man gently leading his disabled spouse over the road. I saw a new father proudly cradling his tiny month-old daughter. I saw a grandfather happily chatting to his daughter as he pushed a grandchild's pram. I saw a father smiling at his two daughters, who were jumping up and down with excitement because he was taking them on an outing to the beach. All around I saw these men, good men, strong men, real men.
You mothers and fathers of boys. Teach your sons to recognise real men like these, to celebrate them, admire them and aspire to be like them.
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